{"id":3574,"date":"2024-11-17T05:26:19","date_gmt":"2024-11-17T00:26:19","guid":{"rendered":"https:\/\/pni.net.pk\/us\/?p=3574"},"modified":"2024-11-17T05:26:19","modified_gmt":"2024-11-17T00:26:19","slug":"classic-drama-actress-passed-away-at-93-years-of-age","status":"publish","type":"post","link":"https:\/\/pni.net.pk\/us\/classic-drama-actress-passed-away-at-93-years-of-age\/","title":{"rendered":"Classic Drama Actress Passed Away At 93 Years Of Age"},"content":{"rendered":"
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Irene Papas, a Greek actress with riveting almond eyes who embodied roles of heroism and tragic dignity in films such as \u201cZorba the Greek\u201d and \u201cThe Guns of Navarone,\u201d and gained critical acclaim in classic Greek dramas including \u201cElectra\u201d and \u201cAntigone,\u201d has died. She was 93.<\/p>\n

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The death was announced Sept. 14 in a statement by Greece\u2019s culture minister, Lina Mendoni, who called Ms. Papas \u201cmajestic, stately, dynamic \u2026 an international star who radiated Greekness.\u201d The statement did not say when or where she died. No cause was given. Ms. Papas had symptoms of Alzheimer\u2019s disease for nearly five years, according to Greek media.<\/p>\n

Ms. Papas (sometimes spelled Pappas) appeared in more than 70 films and stage productions in Italy, France and the United States over a five-decade career. She was hailed by admirers as an ambassador of Greek culture and universal values for her powerful renderings of ancient plays.
\nShe also was part of a generation of Greek artists and intellectuals forced into self-exile during the country\u2019s military junta rule from 1967 to 1974. She lived in hotels in Rome and other cities, joining other Greek stars such as \u201cZorba\u201d composer Mikis Theodorakis to denounce the regime in Athens.<\/p>\n

In 1969\u2019s \u201cZ,\u201d an Oscar-winning film by Greek-born director Costa-Gavras, Ms. Papas played the widow of a Greek politician slain by right-wing authorities. The film was based on the 1963 assassination of a left-leaning Greek parliament member Grigoris Lambrakis.
\nThe movie seems to end in triumph with the killers exposed and the government doomed to collapse. But when Ms. Papas\u2019s character received the news, she only stares out to sea in suffering and despair, knowing no real victory was achieved.<\/p>\n

In her career, too, she often cast herself as an outsider and pragmatist. She spoke of being worn down by the competition for parts and being repeatedly cast in roles that tried to exploit her expressive eyes and strong-jawed visage some reviewers likened to ancient Greek ideals of beauty.<\/p>\n

She was outspoken in public about subjects such as politics and art but acknowledged that she often meekly obeyed her directors on the set or stage.
\n\u201cSometimes I think I should simply stop acting,\u201d she told film critic Roger Ebert in 1969. \u201cA person should change professions every so often. I keep repeating my same skills in film after film. My mind is so deep in laughter and tears.\u201d<\/p>\n

Ms. Papas appeared in several Greek films beginning in the late 1940s. A trip to the United States in 1954 brought her to the attention of director Elia Kazan, whose latest film, \u201cOn the Waterfront,\u201d starred Marlon Brando. (Ms. Papas later said she and Brando shared a decades-long love affair.)<\/p>\n

Ms. Papas landed a seven-year contract with MGM. It only led to a single film, \u201cTribute to a Bad Man\u201d (1956), a Western starring James Cagney. Ms. Papas\u2019s breakthrough in Hollywood came with \u201cThe Guns of Navarone\u201d (1961), in which she plays a hardened Greek partisan who joins a mission to destroy a powerful Nazi fortress on a Greek island.<\/p>\n

In one memorable scene, the men on the mission (played by stars including Anthony Quinn, Gregory Peck and David Niven) hesitate to kill a woman discovered to be a turncoat. Ms. Papas\u2019s character pulls the trigger, showing she is as tough as the men and burnishing the image of Greek village women as unflinching and capable of taking charge.<\/p>\n

Another side of village life for women was portrayed in \u201cZorba the Greek\u201d (1964) by Greek Cypriot filmmaker Michael Cacoyannis, whom Ms. Papas described as her favorite artistic collaborator. Ms. Papas played a role in sharp contrast to Quinn\u2019s devil-may-care Zorba: a widow who is killed by villagers in Crete as revenge for the apparent suicide of a young man who loved her. The proud woman was suddenly transformed into someone hunted and trapped by her own neighbors.<\/p>\n

Some of Ms. Papas\u2019s most celebrated work, however, was in film adaptations of ancient Greek dramas, including George Tzavellas\u2019s \u201cAntigone\u201d (1961) and twice working with Cacoyannis on \u201cElectra\u201d (1962) and playing Helen in \u201cThe Trojan Women\u201d in 1971 with co-stars Katharine Hepburn and Vanessa Redgrave.
\n\u201cHer dark, ageless, almost masculine beauty gives real dimension to the role of the woman who was once the most beautiful in the world,\u201d wrote critic Vincent Canby about Ms. Papas in a New York Times review of \u201cThe Trojan Women.\u201d<\/p>\n

In 1977\u2019s \u201cIphigenia,\u201d director Cacoyannis placed Ms. Papas in front of replicas of ancient Hellenic sculptures of women that resembled her profile.<\/p>\n

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Ms. Papas said she tried to look at ancient Greek dramas through a modern lens, such as \u201cAntigone,\u201d Sophocles\u2019s tragic tale of a woman who struggles against the king to allow her brother an honorable burial.<\/p>\n

\u201cSo the heroine is someone that represents an idea and it\u2019s like in modern times a revolutionist,\u201d she said in 1968, \u201ca partisan, someone that goes against a thing that is fascistic, tyrannic and all of that.\u201d
\nMs. Papas was born Eirini Lelekou on Sept. 3, 1929, in Chiliomodi, Greece, a village near Corinth, where her mother was a schoolteacher and her father taught classical drama.
\nThe family moved to Athens when she was young, enrolling her in the Royal School of Dramatic Art \u2014 managing to keep her studies going during the years of Nazi occupation in the Greek capital during World War II. Soon after she graduated in 1948, Ms. Papas began to work in Greek films and stage productions.<\/p>\n

Over the decades, her film roles included work with Kirk Douglas in the mafia story \u201cThe Brotherhood\u201d in 1968; opposite Richard Burton as Catherine of Aragon in \u201cAnne of the Thousand Days\u201d (1969); and again with Quinn in \u201cThe Lion of the Desert\u201d (1980), set during Italy\u2019s colonial wars in Libya in the 1920s and \u201930s. Ms. Papas also worked on many films in Italian.<\/p>\n

In 2001 she appeared as the mother of a betrayed son in \u201cCaptain Corelli\u2019s Mandolin\u201d alongside Nicolas Cage and Pen\u00e9lope Cruz. Her final screen role was in Manoel de Oliveira\u2019s \u201cA Talking Picture\u201d in 2003, playing a pampered actress on a sea voyage with co-stars Catherine Deneuve and John Malkovich.
\n\u201cThis great tragedienne,\u201d de Oliveira called Ms. Papas. \u201cShe is the image of Greece of all time \u2026 the mother of Western civilization.\u201d<\/p>\n

Ms. Papas appeared on the New York stage in roles that included \u201cIphigenia in Aulis\u201d in 1968 and \u201cMedea\u201d in 1973. She also found inspiration in singing, ranging from an album of songs by Theodorakis released by RCA in 1969 to background chants in 1972 for the Greek rock group Aphrodite\u2019s Child.<\/p>\n

She married twice: to actor Alkis Papas from 1947 to 1951 and briefly, in 1957, to producer Jos\u00e9 Kohn. The Greek Culture Ministry statement said she had no immediate survivors.<\/p>\n

In 2004 after Brando\u2019s death, Ms. Papas called him \u201cthe great passion of my life\u201d despite keeping the affair mostly out of the public eye for decades. Her awards included Golden Lion at the 2009 Venice Biennale for lifetime achievement.<\/p>\n

She was once asked about the difference of acting in classical dramas for film and stage. She replied that actors need a louder voice onstage, but \u201cyou always use the same soul.\u201d<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n","protected":false},"excerpt":{"rendered":"

Irene Papas, a Greek actress with riveting almond eyes who embodied roles of heroism and tragic dignity in films such as \u201cZorba the Greek\u201d and \u201cThe Guns of Navarone,\u201d and gained critical acclaim in classic Greek dramas including \u201cElectra\u201d and \u201cAntigone,\u201d has died. She was 93.   The death was announced Sept. 14 in a […]<\/p>\n","protected":false},"author":1,"featured_media":3575,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-3574","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-memorial"],"yoast_head":"\nClassic Drama Actress Passed Away At 93 Years Of Age<\/title>\n<meta name=\"description\" content=\"Irene Papas, a Greek actress with riveting almond eyes who embodied roles of heroism and tragic dignity in films such as \u201cZorba the Greek\u201d and \u201cThe Guns\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pni.net.pk\/us\/classic-drama-actress-passed-away-at-93-years-of-age\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" 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